BOOKS
Dublin City University
School of Communications
BIBLIOGRAPHY
Abercombie, N Television
and Society 1996
Allen, R (ed) To
Be Continued: Soap Operas Around the World 1995
Allen, R (ed) Channels of Discourse
1987
Ang, I Watching
Dallas 1985
Barnouw, E Tube
of Plenty: The Evolution of American Television 1982
Bignell, Lacey & Macmurraugh-Kavanagh
(ed) British Television Drama: Past, Present & Future 2000
Brandt, G British
Television Drama 1981
Brandt, G British Television Drama
of the 1980s 1993
Buckingham, D Public
Secrets Eastenders and Its Audience 1987
Burton, G Talking Television
2000
Buxton, D From
the Avengers to Miami Vice: Form and Ideology in TV Series 1990
Cantor, M Prime
Time Television London 1994
Cartwright, Hague, & Lavery Deny All
Knowledge: Reading the X-Files 1996
Cashmore, E
And then there was television 1994
Caughie, J Television
Drama:Realism, Modernisn & British Culture 2000
Comstock, G Television
in America 1980
Coleman, J & Rollet, B Television
in Europe 1997
Curtin, M & Spigel, L The Revolution
Wasn't Televised 1997
Davis, M What’s
So Funny ? 1993
Dines, G & Humes, JM
Gender, Race and Class in Media 1995
Dyer, R Coronation Street 1981
Esslin, M The Age of Television 1982
Fiske, J Television
Culture 1987
Fiske, J & Hartley, J Reading Television
1989
Geraghty, C Women
and Soap Opera 1991
Geraghty, C & Lusted,
D The Television Studies Book 1998
Gitlin, T Inside
Prime Time 1983
Gitlin, T (ed) Watching
Televsion 1987
Gray, F Women and
Laughter 1994
Green, P Cracks in the
Pedestal: Ideology & Gender in Hollywood 1998
Greenberg, B Life on Television 1980
Gripsrud, J The Dynasty Years 1995
Hartlet, J Tele-ology
1992
Javna, J Cult TV
1985
Kelly, M & O'Connor, B (ed) Media
Audiences in Ireland 1997
Kiberd, D (ed) Media in Ireland 1997
Lavery, D (ed) This Thing of Ours: Investigating
the Sopranos 2002
Lewis, J The Ideological
Octopus 1991
Lichter, R & L PrimeTime:
How TV Portrays American Culture 1994
McLoone, M & MacMahon,
J Television and Irish Society 1984
Masterman, L (ed)
Television Mythologies 1984
Mellencamp, P (ed)
Logics of Television 1990
Neale, S & Knutnik, F
(ed) Popular Film and Television 1990
Nelson, R TV Drama in
Transition 1997
Newcomb, H (ed) Television: The Critical
View (6th ed) 2000
O’Connor, J (ed)
American History / American Television 1983
O'Donnell, H Good Times,
Bad Times: Soap Operas & Society in Western Europe 1999
Orlik, P Critiquing Radio & Television
Content 1988
Palmer, D Comedy
Developments in Criticism 1984
Palmer, J Taking
Humour Seriously 1994
Pettitt, L Screeing Ireland
2000
Rowland, W & Watkins, B Interpreting
Television 1984
Self , D Television
Drama: An Introduction 1984
Selby, K & Cowdery, R
How to Study Television 1995
Sheehan, H
Irish Television Drama: A Society and Its Stories 1987
Sheehan, H Tracking the
Tiger: The Continuing Story pf Irish Television Drama 2003
Silverstone, R The Message of Television:
Myth and Narrative 1981
Silj, A (ed) East
of Dallas 1988
Sklar, R Prime-Time America 1980
Smith, A (ed) Television:
An International History 1995
Stempel, T Storytellers
to the Nation 1996
Taylor, E Prime Time
Families: Television Culture in Postwar America 1989
Thompson, R Television's
Second Golden Age 1996
Tulloch, J
Television Drama 1990
Warren, M Seeing Through
the Media 1997
Watson, MA Defining Visions:
Television & the American Experince Since 1945 1998
Zipes, J Fairytales
and the Art of Subversion 1983
OU Popular Culture
coursebooks
Social History and TV
Drama (index)
<<aims>>
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Story / Myth / Dream
/ Drama Interrogating TV
Drama
Irish Television Drama:
A Society and Its Stories Helena Sheehan
Soap Opera and Social
Order: Glenroe, Fair City and Contemporary Ireland
School of Communications
DCU
E-mail:helena.sheehan@dcu.ie